There have been many disappointments for digital cinema over the past ten years. For all the claims of HD as the replacement of film, it has not lived up to the promise. There are many reasons for this; varying frame sizes, compression codecs, depth of field issues and workflow compromises have given Digital acquisition a bad rap.
But with the advent of cine style cameras such as the Red One - Digital Cinema's time has arrived. We have a comparable alternative to film in quality, but also, an alternative that offers many more advantages in workflow, speed and cost.
In digital cinema, the traditional relationship with the lab no longer exists; there is no film to process. The footage is now 'data' and the management is an IT based operation. If carried out correctly, it offers less risk to footage than the film workflow.
HighDef has been developing and tailoring its service to fill the gap in traditional 35mm workflow since 2006. We offer a similar service to a lab, except it starts on set with the camera. We fit into your production at whatever level you desire to get the best possible outcome for your production.
We bring enthusiasm and a little bit of obsession to your production – Every pixel matters. |